Hypermnesia and Amnesia: Remembering (with) the Body and Post-Conflict Memorials and Architectures

The article consists of two parts. first part (§§ 1–2) investigates the indiscriminate and absolute remembering forgetting everything, hypermnesia amnesia as extreme terms that research has used uses for different phenomena memory, both in individuals social political forms. In face these shifts it is thus indispensable to re-establish a critique paradoxical effects memory aids and, at same time, seek new forms remembrance by mixing an experiential dimension public sphere refocus attention on connection between latency, tension triggers involuntary ability break through fictions collective memory. On this basis, second 3–4) analyses how experience racial deportation during World War II drastically changed idea memorial architecture. More specifically, analysis deals with kind device must represent memorialise persons whose bodies have been deliberately cancelled. aim present analyse artistic architectonic efforts refer those forgotten bodies, one hand, other hand point out memorials body visitor asked participate, physically emotionally, somehow search lost offering oneself substitute.